Or, go ahead and do it if you want, because worse case scenario is they end up killing you and you lose like a minute’s worth of progress. Gone is the sanity meter, replaced instead with a kind suggestion not to get hit too much by any of the monsters if you don’t mind please. It isn’t that the gameplay is necessarily bad, but it is fairly simplistic and lacks the depth offered by the first game. While I loved the story and the atmosphere and how well written the whole thing was, I’m a little less excited about A Machine For Pigs as a game. There is a real desperation to the story here, as it tackles concepts such as loss and even what it means to be human, and I was utterly captivated by the entire thing. The atmosphere and writing are both so well executed that I was on the edge of my seat, flying through some of the later locations just so I could see what was going on. Each location uncovers some new and unsettling twist, and by the time you unravel the whole thing the game has already become like eight different kinds of creepy. Obviously, the story is more complex than it initially appears, because games where you find your missing children hiding behind the couch don’t make for very good horror titles. It is so well written and genuinely interesting that it kept pulling me along through the game, despite all the nervous flutterings in my stomach that were telling me to turn the game off and go play something more fitting to my bravery level, like My Western Horse 3D. The story here is by far the strongest aspect of the game, in so much as it stands above everything else like an Olympic weight lifter competing with a classroom of eight year old children without hands (the latter of which sounds like something The Chinese Room would work into one of their games if they could). Your trek will take you through your old, derelict Victorian mansion, through a nearby church, and eventually to the depths of the strange machinery you keep deep under your house, the purpose of which you either can’t or don’t want to remember. Despite the severity of your illness, you embark from your sick bed to look around the grounds and find out exactly where your kids went. You’ve just awoken in your mansion after suffering from a severe fever, and despite how ill you are things become worse once you realize your two kids are missing. You play as Oswald Mandus, meat processing and distribution tycoon and contender for most amazingly English name of all time.
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Unfortunately, while the story and atmosphere are still here, this feels like a bit of a sophomore slump for the Amnesia series and the game just isn’t as strong as its predecessor.
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With its sequel, Amnesia: A Machine For Pigs, it is obvious the people at The Chinese Room still know how to craft a genuinely frightening game. Amnesia: The Dark Descent was one of the few games in the past couple of years that actually understood that a good horror game needed things like atmosphere, tension, and a story, and that throwing ugly things at you isn’t scary without the proper context. You can call your game survival horror all you want, but if I’m chasing down weird shaped creatures with my explode-o-gun 3000 and the only impediment is how many health packs I keep tripping over, then I am the horror that the monsters need to be surviving from. Game developers frequently sacrifice suspense and terror for gameplay mechanics, leaving true horror titles in the minority. There have been many games that claim to be scary and just completely fail to live up to their billing.
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